Christina Tzani

Biography

"Since art imitates nature, nature imitates art. Art is the life performance. The human body as a natural landscape in the space is copying forms and shapes found in landscapes by building variable beauty bases. A painting, a poem, a sculpture and even a musical composition attempt to attribute forms, colors, sounds and situations from our lives that stimulate the human senses. Therefore there is a close relationship between beauty and art. The aesthetic experience of the viewer resultant of the human spirit as a result of moral thinking and practice, adopts perceptions according to time and society. The deviation by certain initial course of drawing action and the traumatic deviation of characteristics of fundamental form often arise from the seduction of the material. According to Jean Baudrillard, the fascination is equivalent to the abolition of the representation, in the distance between the reality of the image. The artwork give the sense of isolation, repulsiveness and abandonment as well as the individual characteristics of the form fade out on the chiselled skin and on the injured existenceusing ink. The ink as a pretext, bridges the unpredictable fate of the distance between reality and an abandoned uncertain conditions where the effect operates as a challenge. Parts of the forms appear unfinished underlining the drama of?fragmented forms. Through body decomposition the artworks are located somewhere in the middle of the concept of beauty and ugliness confusing delimitation. Two concepts so interrelated as life and death, such as beauty and ugliness. Perhaps the beauty of the color became the overall sense of beauty in the artworks aside the ugliness of their atrocities."