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[소마미술관] 기념에서 풍경으로
소마미술관
전시 기간 2026.10.17 — 2027.02.14 · 서울특별시 송파구
전시 기간 2019.11.01 – 2019.11.16
설치미술종료된 전시입니다. 아래 관람 정보는 전시 당시 기준입니다.
The incidents and happenings that were announced by news or rumors were superficial and had no special meaning in my life. But these things began to influence my life because I've got to live in Paju. Paju, as the Northern province of South Korea, shares the border with North Korea. I hear the North's broadcasting toward the South day and night, and I find the leaflets blown from the North which were full of political propagandas and threat of war. I realize that Ideology and division issues have keen relation with my life. And it gave me the chance to look into the reality of division. And I realize that my thoughts and beliefs were controlled by these political situations and ideological education. Now my artistic aim is to investigate that 'something' which was implanted in me by Korean society.
Paju is a military area left with the DMZ fences, G.I camps, bunkers, anti-tank bulwarks, barbed wires, watch towers, guard posts, unidentified mine fields... But Ironically Paju is crowded with economic facilities, farms, pleasure grounds, historic sites, and tourists. People on the boarder don't realize the danger and they feel nothing to do with the war. 70 year of cease fire and temporary peace made them insensitive to warfare.
So I want to contemplate and express the meeting point of historical and socio-political grand narrative and personal micro narrative by depicting the weird landscapes of Paju.
Kim Sung Rea
Invisible Panopticon · 나무에 드로잉 · 가변설치 · 2019 · Invisible Panopticon · Drawing on wood
늑대가 되어서도 그리운 · 혼합재료 · 가변설치 · 2019 · Become a wolf, but miss it · mixed material
파주시 장단면 거곡리 63번지-1 · 혼합재료 · 가변설치 · 2019 · 63-1, Geogokri, Jangdan, Paju · mixed material
수리부엉이와 나와 밤에 · 혼합재료 · 100×110×60cm · 2019 · At night with the Suri owl and me. · mixed material
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